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The History Press George Templeton - Images of South Belfast (Images of Ireland) The History Press George Templeton - Images of South Belfast (Images of Ireland)

The History Press George Templeton - Images of South Belfast (Images of Ireland) -

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Ulster Historical Foundation Denis Biggart - John Henry Biggart: Pathologist, Professor and Dean of Medical Faculty, Queen's University, Belfast Ulster Historical Foundation Denis Biggart - John Henry Biggart: Pathologist, Professor and Dean of Medical Faculty, Queen's University, Belfast

"John Henry Biggart was quite simply the most creative force in Ulster medicine in the twentieth century, perhaps ever." With these words Sir Peter Froggatt, former Vice-Chancellor of Queen's University, Belfast begins his foreword to John Henry Biggart: Pathologist, Professor and Dean of Medical Faculty, Queen's University, Belfast by Denis Biggart, his son. The first part of the book is based on memories of John Henry which he jotted down in his last few years for his own edification. He covers such themes as: early childhood in the country with his parents, school teachers, school days at R.B.A.I., university education at Queen's, clinical training at the Royal Victoria Hospital, Belfast and his decision to follow a career in pathology. He gained a prestigious Commonwealth Scholarship, spending two years at Johns Hopkins Medical School in Baltimore, USA, then returning to Edinburgh University as a pathologist and lecturer. In 1937, aged only 31, he became Professor of Pathology at Queen's University, Belfast, the start of an illustrious university career which included an unprecedented 27 years as Dean of the Faculty of Medicine and culminating in being appointed as a Pro-Chancellor of Queen's in 1972. In this biography, Denis Biggart brings his unique perspective on his father - as a son, a medical student, a trainee pathologist and a lecturer in his Department, revealing sides to John Henry's character which were hidden from professional colleagues. Given Biggart's stellar medical and university career, it is little surprise that Sir Peter concludes with the following observation: "Everyone who knew Sir John Henry Biggart or has profited from his medical education should welcome and possess this book, which now fills a yawning gap in the 177-year Belfast Medical School's historiography."

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Cambridge University Press G. W. Bowersock - Martyrdom and Rome (Wiles Lectures Given at the Queen's University of Belfast) Cambridge University Press G. W. Bowersock - Martyrdom and Rome (Wiles Lectures Given at the Queen's University of Belfast)

Pages: 120, Hardcover, Cambridge University Press

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McGill-Queen's University Press Joanna R. Quinn - Reconciliation(s): Transitional Justice in Postconflict Societies (Studies in Nationalism and Ethnic Conflict) McGill-Queen's University Press Joanna R. Quinn - Reconciliation(s): Transitional Justice in Postconflict Societies (Studies in Nationalism and Ethnic Conflict)

The transformation of conflict and post-conflict societies through transitional justice is now recognized as vital to the process of peace-building, with mechanisms such as trials, truth commissions, and apologies seen as essential for effecting societal change. It is widely argued that 'reconciliation' is a key element of this process, yet both scholars and practitioners are unclear as to what the concept is or how the process works. "Reconciliation(s)" considers the definition of the concept of reconciliation itself, focusing on the definitional dialogue that arises from the attempts to situate reconciliation within a theoretical and analytical framework. Contributing authors champion competing definitions, but all agree that it plays an important role in building relationships of trust and cohesion. The essays in this book also consider the nature and utility of reconciliation in a number of contexts, evaluating both its function and efficacy. A comprehensive evaluation of reconciliation as a means of bringing about social healing, "Reconciliation(s)" will be of interest to scholars from a broad range of disciplines. The contributors include Caitlin Donnelly (Queen's Belfast), Stephanus Du Toit (Institute for Justice and Reconciliation), Samar El-Masri (Prince Sultan University, Riyadh), Nicholas Frayling (Dean, Chichester Cathedral), Mark Freeman (International Center for Transitional Justice), Trudy Govier (Lethbridge), Brandon Hamber (Ulster), Joanne Hughes (Queen's Belfast), Anita Isaacs (Haverford), Grainne Kelly (INCORE, University of Ulster), Rosemary Nagy (Nipissing), Veerle Opgenhaffen (International Center for Transitional Justice), Valerie Perry (OSCE Mission to Bosnia and Herzegovina), Joanna R. Quinn (Western), and Laurence Thomas (Syracuse).

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Cambridge University Press D. Cameron Watt - Succeeding John Bull: America in Britain's Place 1900-1975 (Wiles Lectures Given at the Queen S University of Belfast) Cambridge University Press D. Cameron Watt - Succeeding John Bull: America in Britain's Place 1900-1975 (Wiles Lectures Given at the Queen S University of Belfast)

Pages: 316, Edition: 1, Paperback, Cambridge University Press

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Cornell University Press The Europeanization of Central and Eastern Europe (Cornell Studies in Political Economy (Paperback)) Cornell University Press The Europeanization of Central and Eastern Europe (Cornell Studies in Political Economy (Paperback))

Cornell University Press The Europeanization of Central and Eastern Europe (Cornell Studies in Political Economy (Paperback)) -

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Integrity Music Nathan Jess - Love Stands Forever Integrity Music Nathan Jess - Love Stands Forever

From the up and coming singer/songwriter, Nathan Jess, comes his first solo album packed with new worship sounds. Inspiring to the likes of All Sons and Daughter and John Mark McMillan, Nathan has captured beauty in the stillness and life in the songs. Nathan has been touring extensively in recent months and will continue this year by supporting Ben Cantelon, Rend Collective Experiment and playing live at Big Church Day Out. The album also includes co-writes with Nick Herbert, Rend Collective's Chris Llewellyn and Worship Central's Luke Hellebronth. Nathan Jess: 'My approach doesn't sit within the established generic worship mould,' explains Nathan Jess - correctly, as it turns out. For the twentysomething worship writer/leader from Northern Ireland, the 'approach' as he calls it is powerfully eclectic. To listen to a Nathan Jess song is to sit in the presence of a close friend you've never met before. His appeal is personal, universal and full of passion and truth. The story so far is simple enough. Nathan studied music at his local university - Queens, Belfast. The strong emphasis on composition suited Nathan, and upon graduating in July 2010 he was ready to take up a full time role leading worship, writing songs and more. The opportunity to support Casting Crowns when they played in Belfast in the following November turned out to be significant, as Kingsway staff heard Nathan play one of his most noticeable songs - 'I Am Redeemed'. A month earlier the song had featured on an independent film project, but it was not until July 2011 that he finally signed to Kingsway. Nathan since has been involved with extensive touring and this year with support Ben Cantelon, Rend Collective Experiment and perform at the Big Church Day Out.

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Sage Publications Ltd Craig Webber - Psychology and Crime (Key Approaches to Criminology) Sage Publications Ltd Craig Webber - Psychology and Crime (Key Approaches to Criminology)

Sage Publications Ltd Craig Webber - Psychology and Crime (Key Approaches to Criminology) -

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Verlag Peter Lang The Conte: Oral and Written Dynamics Verlag Peter Lang The Conte: Oral and Written Dynamics

A majority of the chapters in this book were originally presented as papers at a conference held at Queen's University Belfast in September 2006. The volume explores the oral-written dynamic in the 'conte français/francophone', focusing on key aspects of the relationship between oral and written forms of the 'conte'. The chapters fall into four broad thematic areas (the oral-written dynamic in early modern France; literary appropriations and transformations; postcolonial contexts; storytelling in contemporary France: linguistic strategies). Within these broad areas, some chapters deal with sources and influences (such as that of written on oral and vice versa), others with the nature of the discourse resulting from an oral-written dynamic (discourse structure, linguistic features etc.), some with the oral-written interface as it affects the definition of genre, others with the role of the 'oral' within the literary or written text (use of storytelling scenarios, the problematics inherent in transcribing/adapting the spoken word etc.). This chronological and methodological range allows us to situate the emergence of the form in socio-cultural and historical terms, and to open up debate around the role of the 'conte' in particular geographical and political contexts: regional, national, European and postcolonial. This book contains contributions in both English and French.

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Peter Lang AG, Internationaler Verlag der Wissenschaften Jennifer FitzGerald - Helen Waddell and Maude Clarke: Irishwomen, Friends and Scholars Peter Lang AG, Internationaler Verlag der Wissenschaften Jennifer FitzGerald - Helen Waddell and Maude Clarke: Irishwomen, Friends and Scholars

As women's university participation expanded rapidly in the first decade of the twentieth century, two close friends at Queen's University Belfast nursed scholarly ambitions. Helen Waddell, budding feminist literary critic, and Maude Clarke, future Irish historian, were to become famous medievalists. Waddell's progress was stymied by her stepmother's insistence on family duty and by academic misogyny; Clarke's father, in contrast, helped to clear her way. This joint biography intertwines the story of their friendship with their modern education, their shifting research interests and the obstacles and opportunities that faced them as women seeking academic careers. It traces Waddell's evolution into an independent scholar, creative writer and translator of medieval Latin, and Clarke's career as an influential Oxford don, training a generation of high-achieving women academics. The book also reproduces the surviving chapters of Helen Waddell's 'Woman in the Drama before Shakespeare' (1912-1919), an example of early feminist literary criticism, and Maude Clarke's searching, self-reflective Historiographical Notes' (c.1930).

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